Historic Art | Maurice Cullen R.C.A.

Levis vue de quebec oc 1975 oc 18x22 web

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Levis from Quebec, c.1904

Technique: oil on canvas

Dimensions: 18.125x22.125 in.


Titled on the Watson Art Galleries label and certified by Cullen Inventory #1011 and by William R. Watson, record #2243.

A gift from the artist to William Brymner, Montreal
William Watson, Watson Art Galleries, Montreal
François Dupré, Montreal c/o Greenshields & Co., September 6, 1946 (owner of Sherbrooke Ritz), Private Collection

Hughes de Jouvancourt, Maurice Cullen, 1978, a similar 1904 oil entitled Lévis from Quebec, in the collection of the Art Gallery of Ontario, reproduced p. 17
Crystal S. Parsons, Maurice Cullen and his Circle, National Gallery of Canada, 2009, a similar circa 1905 oil entitled Winter Evening, Quebec, in the collection of the National Gallery of Canada, reproduced p. 8

About the Artist

Maurice Galbraith Cullen, painter (b at St John's 6 June 1866; d at Chambly, Qué 28 Mar 1934). Cullen moved to Montréal with his family in 1870. There he began his art training as a sculptor at the Conseil des arts et manufactures and with sculptor Louis-Philippe HÉBERT. Like other artists of his generation, he went to Paris for additional training. He arrived there in 1889 and decided to become a painter; he attended the École des beaux-arts, studying, like Paul PEEL, with Jean-Léon Gérôme, then with Élie Delaunay.

By 1895, when Cullen returned to Montréal, he had darkened the tonality of the impressionist style learned abroad. In time he became the true interpreter of Montréal's cityscape, particularly of night or dusk scenes, invariably with shimmering lights. He was also one of Canada's great painters of snow. Like his colleague and friend James Wilson MORRICE, Cullen was a major figure in Canadian art. His gift was that of a romantic - an ability to capture light and mood. Some of his work was influenced by William Blair Bruce, whom Cullen often visited in Gréz 1892-94. Cullen in turn influenced many by teaching for years at the Art Association of Montreal. He showed in the first exhibition of the Canadian Art Club, an advanced group of the period, and was made a member in 1910.

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